2022
Model I explores the relationship and the agency between the artist and the machines in the process of reproduction. While Lisha was making Model I, she gave the eye, the brain, and the hands to the machine, and her role there is as an assistant for machines. She started the work with 3d scanning on the land of cacti in the botanical garden-a place that reproduced the view of nature, synthesized and regenerated in the 3D software, then finalized the work with a 3d-sculpting machine.